Expertise as peak performance.
Play and
expertise. Play is a word that is used for so
many things that it has lost its meaning. We can pay an
instrument, play sport, play ball, play chess, play
hard, or pay for fun. But among all these different
meanings there are two that are diametrically opposed.
Play can mean both something that we do just for the fun
of it and also something at which we are expert. It can
mean something at which we are both a rank amateur and
also something we do professionally. If we say we play
football it may mean we are expert at it or it may mean
we play it just for fun. When we say children play we
mean the latter usually, because children are not
expected to be expert at anything. But if we say a child
plays chess it may very well mean the child is an
expert. The point is that there should be two different
words to differentiate play as having fun and play as
being an expert.
Learning
to improve and learning for fun. All learning
can be approached as something done purely for our own
amusement or something that we are working at to become
expert and both are called play. Now it is not
impossible to do both of these things simultaneously, we
may be motivated to play for its amusement value and
also in order to become expert. However, we now live in
a world where it is becoming increasingly difficult to
do so because of our expanding fascination with the so
called gifted and the glorification of talent. This is
causing many unfortunate problems for the future of
learning. Why? Because both of these sorts of intrinsic
motivation are essential for any sort of learning,
especially for beginner learners and we seem cerebrating
one at the expense of the other.
Curiosity
and interest. These are intrinsic motivations
connected to the intrinsic motivation to improve and
intrinsic motivation to have fun. Curiosity motivates us
to explore but only if our experiences with exploration
have proved to be enjoyable or fun. Interest motivates
us to learn more about a subject in order to improve our
knowledge in the subject or improve our skill at an
activity we have already had some pleasurable experience
of. In both cases our previous pleasurable experience
with learning the subject or skill motivates to continue
learning that subject or skill. In both cases we predict
that future learning in the subject or skill will be
pleasurable because our previous experience with them
has been pleasurable. We are also motivated to improve
the skill and improve our knowledge of the subject. In
this case we predict that improvement in anything will
be pleasurable because all or most of our previous
experience with improvement has been pleasurable.
Curiosity,
interest and expertise. Interest lures learners
on toward eventual expertise. But curiosity is what
allows learners to become interested in the first place.
In this way both are essential to all learning. When we
are young we need the motivation to explore a lot of new
things and to begin learning in all those domains.
Children need this motivation because this is the way
they can find things to be interested in and can start
making their way to be expert in those domains or
activities. But children, especially, also need to find
domains and skills that they can indulge in just for
fun, hobbies or pursuits that they do at leisure in
order to play. In this case play means something people
do purely and exclusively for enjoyment and relaxation.
Expertise
and the trade offs between the depth and breadth of
learning. This is to say that there is a trade
off between how soon and greatly we specialize in
learning an area of knowledge and how many areas of
knowledge we can engage in learning. The more we
specialize in learning a single subject or domain of
knowledge the less time and energy we have to devote to
learning other subjects or domains of knowledge.
The
trade off between early specialization and remaining
unspecialized. There is also a trade off
between early specializing in a subject matter in order
to become expert more quickly and more early and a
number of concerns about the general quality of all
learning. While it can in many ways be advantageous to
becoming expert earlier in life and to show proficiency
more quickly there are serious disadvantages to doing so
as follows.
-
The
corruption of parents, guardians and caregivers.
The most obvious detriment for children specializing
early is the unfortunate effect it can have on
parents, guardians and care givers. Parents,
guardians and care givers are those people who are
in the best position to influence the early learning
of children and if they influence this early
learning badly it can be difficult to correct in
later life. Because of western culture's fascination
with prodigies, parents etc. can become overly
enthusiastic about a child showing early promise in
some field of study or some culturally highly prized
skill. Skills like playing chess, playing an
instrument, singing, playing any number of sports,
even spelling can lure parents etc. into trying to
guide or control the rate and amount of learning and
the interest the child is displaying. Parents doing
any of this are likely to have the opposite effect
of reducing interest and making the specific
learning less pleasurable. Nobody likes to be
controlled, least of all children, especially in
something they started doing because of the immense
pleasure it gave. Such parents may be driven to do
many other things that are detrimental to their
child's learning by pride in the child's
achievement, if the child is socially recognized as
gifted. This will be discussed elsewhere.
-
Choosing
the wrong path. Early specialization can
cause children to commit to a specialty long before
they are sufficiently emotionally and intellectually
able to make such a momentous commitment and
decision. Specialization of this sort requires a
lifetime commitment. Children, after all, have very
little experience with either decision making or
commitment.
-
Preparation
for specializing. Learning just a little in
many fields of learning and learning a little in
many many skills is a good way to learn which skill
or area of learning provides the most pleasure. By
learning a about great many different things and
making early forays into numerous skills children
can easily compare them and judge among them which
he or she might eventually choose to specialize in.
-
Premature
abandonment of important knowledge domains.
Early specialization may result in the far too early
abandoning of subject matters that the child enjoys
and which would be highly necessary to the future of
all subsequent learning.
-
Play
deprivation. Early specialization can also
can significantly impact child play. This is the
kind of play children indulge in strictly for its
amusement value and in order to be sociable. Such
interactions with their peers are essential for good
development of social skills that are indispensable
life skills. Early obsession with a subject or
skill, to the point of abandoning such play, is a
likely outcome for early specialization.
Children
and the early or late adoption of specialization.
When considering whether children should specialize
early or not in order to become experts research seems
to indicate we should be guided by the desires of the
child in question. If a child develops an early
obsessive interest in a knowledge domain or in some
particular skill it is unlikely the child can be
dissuaded from continuing to learn that subject or skill
nor is it wise to try to dissuade them. However, they
should not be overly encouraged in this pursuit. Indeed
the discarding of other interests in order to
concentrate on that one thing should be actively
discouraged. Not only that but such children should be
further encouraged to continue to try learning in as
many and as varied new knowledge domains as possible and
to continue to try as many and as varied new skills as
possible. For children there are more important things
to learn than becoming an expert. They need to indulge
in childish play and they should be acquiring a vast
breadth of interests that will eventually put them in a
position of advantage in making decisions and prepare
them to eventually consider specialization but only in
early adulthood.
What is
expertise?
Superior
knowledge. Expertise is being judged by our
peers or some objective panel of experts to be superior
in the amount of knowledge we have in some field of
learning.
Superior
skill. Expertise is being judged by our peers or
some objective panel of experts to be superior in the performance
of some group of skills that define a sport, an art or
any other type of competitive activity like a vocation.
Inborn talent and expertise.
It was
once thought that expertise was produced by luck in a
genetic lottery. In ancient times people tended to horde
anything that gave them power and influence over others.
They horded their knowledge their skill and more
importantly they horded how knowledge and skill could be
obtained. They reasoned that if they passed on how to
obtain knowledge and skill they would be creating rivals
in power and influence. How to become expert was hidden
away. It was a secret. But when others saw the experts'
knowledge and skills it seemed amazing and magical. They
could not imagine that such amazing attributes could be
learned and assumed that people were born with such
abilities or at the very least they were born with
unique potentials. Those that had expert knowledge and
skill encouraged this type of thinking and thus the idea
of inborn talent came into existence. It is not too
surprising that the most obvious remnant today of this
type of thinking is in the field of stage magic. This
myth of inborn talent has seeped down though the ages
and clouded our understanding of expertise until now.
However,
in recent times, study after study has shown that
expertise is achieved by learning and that this in turn
is the result of practice, causing the idea of inborn
talent to be abandoned in science. The idea that
genetic potential differs greatly from one person to
another has been found to be simply wrong. Many factors
go into learning such as our beliefs, our motivation,
our persistence, etc. and while genetic potential is one
of these factors it has proved to be one of little
significance. The amount of real difference in potential
among most humans has been shown to be usually minor.
Shaping your potential.
In his
book "Peak" Anders Ericsson suggests, that like talent,
potential, for the most part, is not innate. He says:
"The
traditional
approach [to learning] is
not designed to challenge homeostasis. It assumes
consciously or not, that learning is all about
fulfilling your innate potential and that you can
develop a particular skill or ability without getting
too far out of you comfort zone. In this view, all
that you are doing with practice - indeed, all you can
do - is to reach a fixed potential.
Ericsson
suggests that potential is not fixed at all and that
when we practice we reshape both our bodies and our
brains to such an extent that what was impossible before
becomes possible. He continues:
"...the
goal
is not just to reach your potential but to build
it... getting out of your comfort zone -and forcing
your brain or your body to adapt. But once you do
this, learning is no longer just a way of fulfilling
some genetic destiny; it becomes a way of taking
control of your destiny and shaping your potential in
ways that you choose."
Expertise is the ultimate
guide to learning.
The true
major factor in becoming expert has been demonstrated to
be 'learning' and the attendant features of human
behavior that enable learning to take place. If
we
can discover how to learn sufficiently well enough to
create an expert in any field, then we will truly have
learned how to learn. The study of experts and
expertise becomes the ultimate guide to learning how to
learn and thus the ultimate guide to learning itself.
Habits.
Habits are
both the reason why we can do so much in learning
skills, and the same time, why it is so difficult
to learn skills to a level of expertise. The reason
habits can help us learn is that our bodies and minds
are habit constructing tools. Our minds, in particular,
spend a good deal of their processing power on
constructing habits. Why is this? Well, habits enable us
to react reflexively which is very fast compared to
anything that requires thinking and decision making.
Thinking, whether it is fast or slow thinking, is much
slower than no thinking at all. Habits do not involve
thinking. We simply perceive some preset or premarked
scene, object, set of objects or interacting objects in
our external environment, which activates, in
response to a cue, a preset template for action (a
schema). A schema is a program, a series of nerve
impulse instructions for running the action or habit.
Once activated this schema drives an action to be
automatically performed. No thought has to take place so
the action can happen very fast.
Learning
habits.
But habits
have to be learned. If we are to be in control of our
habits we must direct that learning and we can. Unlike
habits themselves, the learning of habits does require
thinking, if we want them to work for us. The learning
of habits takes time and progress is often slow. While
we are learning a habit we are in the process of
changing an action by creating variants of the action in
order to improve the action. We create a variant of an
action and then assess whether it is an improvement or
not. If we judge it to be an improvement we repeat it
until it becomes normal for the action. At this point it
replaces the previous version of itself. This process
continues until the action becomes what we consider to
be perfect and at that point the action becomes
automatic and it sinks into our unconscious.
The magic of unfinished
habits.
This
process by which we forge habits can become the true
miracle of learning if we continue to create new variant
actions and never be satisfied with an action. When we
do this the potential habit never gets finished. This is
in fact how we learn skills. The same process that
occurs when we are learning a habit also occurs when we
are learning a skill. Skills then would seem to be
unfinished habits. A skill is simply the early part
of the habit formation state, before it is completely
fixed. Skills are the flexible progressively improving
actions that preceded true habit formation. They are the
unfinished variants we create in order to improve an
action. The more we repeat an action the more it tends
to sink to an unconscious level where it becomes
automatic. If we want it to remain in its flexible form,
so we can continue to improve it, we have to continue
creating these variants. If we do this our actions
steadily improve, and there is no point where they
cannot be improved more. As this continues we become
experts in our field. When performing (not when we are
learning) our actions become seemingly magical, not only
to others, but often to ourselves. Our actions become
fluid, unbelievably fast and sometimes partially and
sometimes fully automatic, for short periods of
time. In
sports this is called being in the zone.
In his
book "Trying not to Try" Edward Singerland explains that
this kind of spontaneous acting without thinking is both
a highly desirable state and an essential part of
motivation to reach expert levels. He says:
"The
importance
of being in the zone is perhaps nowhere more
appreciated than in professional sports, where the
competitive edge provided by complete absorption is
the stuff of myth. A 2005 piece in Sports Illustrated
consists solely of quotations from professional
basketball players about what it feels like to be on
fire:"
"There
are books you can read about getting into the shooting
zone, how to prepare yourself, but its never something
you can predict. The ball feels so light, and your
shots are effortless. You don't even have to aim. You
let it go, and you know the ball is going in. Its
wonderful... Its like a good dream, and you don't want
to wake up." -Pat
Garrity, Orlando magic forward
"Its
like an out of body experience, like your watching
yourself. You almost feel like you don't even see the
defense. Every move you make, you feel God, that guy
is slow. You're going bye people. You don't even hear
the regular noise you hear. It's muffled. You go to
practice the next day and you say 'God why can't I do
that every night?' Guys have wanted to bottle that
feeling." -Joe
Dumars, former NBA All-Star guard
Fixed habits as skills.
If, on the
other hand, we do not continue creating action variants
the action tends to gets repeated in a single form. When
this happens the actions tend to sink to a mental
place that is out of our control. It becomes reflexive,
an automatic action, a habit. When a habit is formed in the
sense it has sunk into the unconscious mind and is
activated by cues in the exterior environment it becomes
both hard to reach and hard to change. Such habits are
fixed. Many habits of this sort are formed without us
being conscious of the fact that they are even forming.
Some activities like walking and driving become fixed
habits but this is not always so. Racing drivers have a
skill that remains unfinished and ever improving.
Walking can, in some circumstances, such as tight rope
walking or walk racing, remain unfixed also. The actions
we repeat often, for the most part, tend to sink to this
unconscious level and become automatic but the
generation of new variants prevent this happening. Cues
to activate habits also form without our minds
consciously creating them. We can with a huge effort and
hard work, however, make these habits flexible again. We
can also take control of cues.
Flexiskills.
What we call
skills can be habits. Singing, dancing, playing music,
martial arts are all fields of learning where certain
actions and parts of actions are allowed to become
standard or usual and become part of one's repertoire. But
other actions, as explained above, are never perfected,
nor can they be, and thus must remain in the intermediate
stage of being unfinished and flexible. These actions have
not consolidated into a fixed habit and yet they can be
still mostly fully automatic. It is a flexible form that
can still be changed fairly easily by creating a new
variant. To create an improved version or variant we need
to identify how the previous version is falling short and
make adjustments to that version. We do this by combining
the new aspects or elements of the action with those
aspects or elements in the original version that were
already good. As this new variant becomes the norm it
replaces the older version becoming a flexible kind of
skill or a flexiskill. Flexiskill is a new word created
here to symbolize this new concept.
Learning by
means of practice.
All
learning requires practice. Practice is how we build
spontaneous actions that become habits and skills. Although we
tend to think of practice as something we do to improve
physical actions it also applies to the improvement of
mental actions. That is to say the things we do to
acquire information and turn it into knowledge are also
actions that respond by improving with practice.
Although mental actions are not as accessible to study,
it turns out that, what we have learned about the
practicing of physical skills, is equally applicable to
the skills for acquiring knowledge.
Spontaneity.
Spontaneity
seems
to be often misunderstood as a concept. In time past it
seems to have been thought of as a sort of possession
like voodoo practitioners who are taken over by a loa.
Something takes over our bodies and minds causing them
to act without thought or input of any kind from
ourselves. We become mere observers and passengers in
our own skin. Yet at the same time spontaneity is often
considered to be our most authentic personal form of
action and expression. In truth, spontaneity is neither
of these things. Neither our bodies nor our minds can
act much without having first learned how. Thus a
spontaneous action is one which at one time or another
must have been learned. These actions can come unbidden
and without thought but in time past they were practiced
long and often. What seems automatic in the present may
have its roots in years of past practice. What makes
spontaneous action spontaneous is not the new or unique activity
it is, but rather its lack of conformity for the
performer in the context in which it occurs. If we do
something spontaneous it is simply not what we usually
do. It does not have to be new or unusual it simply has
to be unusual for us in that particular context.
Mental
representations.
When we
are learning anything we have to assess the new against
the past. With actions we have to be able to assess if
the new variant action we have produced is superior to
the action that preceded its creation. If we have a
coach or teacher they can provide us with feedback about
what we are doing wrong and when we have done it right.
We also have media to provide feedback. However, in the
end it is our own ability to discriminate, what we are
doing wrong and when we have done something right, that
is the most critical factor in improving our skill. To
do this effectively we need to be able to build accurate
mental representations.
Elsewhere
on this site reality patterns are talked about. These
are one form of mental representation. They are the
mental representations with which we build to understand
reality. They are models of or aspects of external
reality and they in turn come together to produce
a map of reality and how it works. It is the glue
that holds together our knowledge, connects our
knowledge and makes reality understandable. But mental
representations may come in other forms as well. With
the learning of actions and the building of them into
skills another sort of mental representation may be
necessary. These are the representation of actions
themselves and how we feel when we perform those
actions. In his book "Peak" Anders Ericsson puts it like
this:
"Even when the skill being practiced is
primarily physical, a major factor is the development of
the proper mental representations. Consider a
competitive diver working on a new dive. Much of the
practice is devoted to forming a clear mental picture of
what the dive should look like at every moment and, more
importantly, what it should feel like in terms of body
positioning and momentum.
Of course, the deliberate practice will also lead
to physical changes in the body itself - in divers,
the development of the legs, abdominal muscles, back,
and shoulders among other body parts - but
without the mental representations necessary to
produce and control the body's movements correctly,
the physical changes would be of no use."
But it is
also possible that these action representations may not
be different to reality patterns at all. Reality
patterns may also include action elements. Our
understanding of a ball is not just a picture of a ball,
it is our entire experience of balls compressed down
into a gist. Our understanding of a ball is not just how
it looks but how it sounds, how it feels and even how it
smells. More importantly it is also how it changes when
it moves and bounces and our experience of catching it
and throwing it. Our skill with a ball is part of our
understanding of what it is. As our skill with a ball
improves so does our understanding of what a ball is. However in his
book
"Peak" Anders Ericsson explains that all expert
performance requires the ability to recognize patterns.
Such patterns can only be recognized because we have
built up accurate mental representations of them:
"This is most obvious in team sports. Take
soccer, for instance. You have eleven players on a side
moving around in a way that to the uninitiated seems a
swirling chaos with no discernible pattern beyond the
obvious fact that some soccer players are drawn to the
soccer ball whenever it comes near. To those who know
and love the game, however, and particularly those who
play the game well, this chaos is no chaos at all. It is
all a beautifully nuanced and constantly shifting
pattern created as the players move in response to the
ball and the movements of the other players. The best
players recognize and respond to patterns almost
instantaneously,
taking advantage of weaknesses or openings as soon as
they appear.
...we
showed
them [some soccer players]
videos of real soccer matches and suddenly stopped the
the video when a player had just received the ball.
Then we asked our subjects to predict what would
happen next. ...We found that the more accomplished
players were much better at at deciding what the
player should do with the ball. ...We concluded that
the advantage better players had in predicting future
events was related to their ability to envision more
possible outcomes and quickly sift through them and
come up with the most promising actions. In short, the
better players had a more highly developed ability to
interpret the pattern of action on the field."
In any
case the action part of any mental representation seems
likely to take place in what are being called mirror
neurons. These are specialized neurons (in our brains)
that seem to be there to enable us to imitate others.
When we see an action taking place, imagine performing
an action, or even think about an action, these special
neurons light up like Christmas lights. It seems very
likely then, that our first attempts at performing an
action come from these neurons. We see an action
performed and wish to duplicate it ourselves. We try and
probably fail. But this provides the first mental
representation of the action.
This first
attempt at action is probably not very good, but we try to
improve on it by creating a variant of it. At this point
we have to judge if the new variant is better and in what
ways it might be worse than the mental representation we
have of it. We can do this by putting it up against our
new mental representation and see how closely it resembles
it. How it is better and how is it worse become
easier to judge as we have a yard stick. If the action is
worse than the mental representation we can see where the
flaws are and can generate ways of adjusting our action to
over come those flaws. If the new variant is better than
the mental representation we can then upgrade the mental
representation to bring it up to the same level.
Practice.
It turns
out that we now know a lot about practice and its
relationship with learning much of which comes from the
study of experts conducted by Anders Ericsson and his
colleagues. It is important to note, however, that the
word 'practice' conjures up the idea of repetition,
which, if you think about it, could not account much in
the way of improvement in actions. As this site has
pointed out elsewhere (specifically on the the iteration
page) what we really do when we practice is not just
repetition. In fact, what we do, is create a variant of
any action we wish to improve. We then perform it
and assess whether it is an improvement or not, using
such feedback as is available, and discard it if it
isn't an improvement. If it is an improvement, we then
try to repeat it until such time as it becomes normal
for the action at which point it replaces the earlier
version of the action. This continual approaching of an
improved action by means of creating and running variant
action schemas and selecting the better ones is
iteration, rather that repetition, even though some
actual repetition may be involved.
Ordinary practice,
purposeful practice and deliberate practice.
Practice, beyond this point will be used to
mean that which improves an action. This kind of
practice comes in a variety of types. Ericsson in his
book "Peak"
distinguishes three types of practice. He chose to
divide practice into three types to correspond to the
three levels of seriousness in which people practice. It
turns out however that the three different types of
practice (ordinary practice, purposeful practice and
deliberate practice) also have very different rates of
improvement. Ordinary practice is the one most of us are
familiar with. We all use this kind of practice to learn
new skills where we need to be good enough at doing
something. We need to be good enough to play a sport,
good enough to get a job, good enough to be accepted in
our social circle. Purposeful practice is that which is
used by those who want to be really good at something.
Purposeful practice enables us to excel. Deliberate
practice is that used by professionals to hone their
skills into such proficiency as to make them members of
a fraternity of world class practitioners of those
skills.
Motivation and hard work.
All practice requires motivation. Ordinary or
naive practice requires a little, purposeful practice
requires a lot more and deliberate practice a huge
amount. Motivation is not to be found in practice.
Practice is no fun. It is arduous hard work. In every
field that he investigated, Anders Ericsson found that
that every student (would be expert) hated practicing.
Motivation, of course, comes from the intrinsic
satisfaction performers get from being able to perform
well, the degree to which their identity is bound up in
the field, and the honor and adulation they receive from
those who love their performance. In his book
"Peak" Anders Ericsson set out to discover, what
it was that kept people motivated until they reached
expert levels. He explains:
Intrinsic
motivation.
"Studies of expert performers tell us that once you
have practiced for a while and can see the results,
the skill itself can become part of your motivation.
You take pride in what you do, you get pleasure from
your friends' complements. You begin to see yourself
as a public speaker or a piccolo player or a maker of
origami figures. As long as you recognize this new
identity as flowing from the many hours of practice
that you devoted to to developing your skill, further
practice comes to feel more like an investment than an
expense."
He understood that the initial motivation was
in the goal that had been set and the anticipation of
pleasure in reaching that goal. He realized, however,
that such motivation would not last very long, and that
other types of motivation had to come into play between
the time that this initial motivation petered out, and
when intrinsic satisfaction and adulation cut in. He
discovered the following motivations:
Self belief. "In order to push
yourself when you really don't feel like it, you must
believe that you can improve and - particularly for
people who are shooting to become expert performers -
that you can rank among the best. The power of such
belief is so strong that it can even trump
reality."
Social
motivation.
"This can take several forms. One of the simplest and
most direct is the approval and admiration of others.
Young children are often motivated to practice a
musical instrument or a sport because they are looking
for their parents' approval. Older children, on the
other hand, are often motivated by positive feedback
for their accomplishments. After having practiced long
enough to reach a certain skill level, they become
known for their abilities - this child is an artist,
that child plays the piano well, and that one is a
phenomenal basket ball player - and this recognition
can provide motivation to keep going. Many teenagers -
and more than a few adults - have taken up a musical
instrument or a sport because they believed that
expertise in that area would make them more sexually
attractive.
One of the
best ways to create and sustain social motivation is
to surround yourself with people who will encourage
and support and challenge you in your endeavors."
Of course there is not only motivation to
practice but also motivation not to practice. Practice
is at the very least uncomfortable, it is tiring, and
usually painful. Whether we are motivated to practice is
actually a function of the balance of these positive and
negative motivations. Ericsson puts it like this:
"Maintaining
the motivation that enables a regimen has two parts:
reasons to keep going and reasons to stop. When
you quit something that you initially wanted to do,
its because the reasons to stop eventually came to
outweigh the reasons to to continue. Thus to maintain
your motivation you can either strengthen you the
reasons to keep going or weaken the reasons to quit.
Successful motivation efforts generally include both.
There are various ways to weaken the reasons to
quit."
Set a
practice time clear of distractions. "One
of
the most effective [ways to weaken] is
to set aside a fixed time to practice that has been
cleared of all other obligations and distractions."
This works well because you are not tempted to
do anything else because your schedule is clear and
also because a specific time can act as a cue to set the
practice in motion automatically.
Habituation.
"Fortunately, you will
find that as you maintain your practice over time it
will seem easier. Both your body and your mind will
habituate to the practice. Runners and other athletes
find that they become inured to the pain associated
with their exercise."
Look after
your health.
"If you're tired or sick, its that much harder to
maintain focus and that much easier to slack off."
Get enough
sleep.
"...the violin students were all careful to to get a
good nights sleep each night, and many of them would
take an early afternoon nap after their morning
practice."
Not only does getting enough seep improve your
health but there are now indications in research that
sleep may actually be essential to any kind of learning.
It may be necessary for both memory and the
consolidation of practice. For more information about
this click here.
Limit your
practice to an hour. "You
can't maintain intense concentration for much longer
than that - and when you're first starting out, its
likely to be less. If you want to practice longer than
an hour, go for an hour and take a break."
Ordinary or
naive practice.
When we
learn we normally have to have a goal in mind. If we
observe an action our mirror neurons may prompt us to
form the goal of performing that action. With this action goal in mind we will try to
perform the action in a way that matches the rudimentary
mental representation that is the goal. We try to
reproduce this mental representation. We fail of course.
But if we are vigilant we can notice how our performance
differs form the goal. If we can do that, then, we have
clues as to how we might perform the action better by
avoiding the things we did wrong. This is not
repetition. It is a kind of iteration where we keep some
aspects of an action and abandon other aspects. The new
action is partly the old action but also is partly
something new. It can look a bit like repetition but it
is actually a variant of itself. What we often call
repetition is not repetition until we can almost
perfectly produce the action in the form that was set by
that original goal. Only then is true repetition even
possible. If we do repeat the action then, in so far as
we can, it is likely that the action will begin to
become fixed. If this happens further progress will be
difficult as the action will have started to become
automatic and will have begun to sink into the
unconscious mind where it is difficult to change. In
this way further repetition can be said to prevent
further improvement.
Ordinary
practice, or naive practice, is what most people do to
learn a skill. We want to learn something so we do what
we think we need to do in practice in order to learn it.
We set certain vague goals for ourselves. We may get a
lesson or two from a professional, but only just enough
to learn the basics, because we are not ambitious, and
do not expect to able to become highly skilled. Our
desire is only to be good enough to play or take part.
If competition is normal, such as with a sport, we begin
to play with others who are only marginally better than
ourselves. Despite this we assume we will be able to
continue to improve a little by practicing.
Essentially
though,
after learning the rules and a few basic actions, our
only understanding of practice is to repeat the basic
actions we have already learned. We erroneously assume
that just trying to repeat the basic actions somehow
causes improvement in those actions. Its like we believe
that mere repetition of an action will by itself
magically turn the action into a master stroke. What it
actually does though, is to fix the action as a habit,
which prevents further improvement. In learning skills
this is called reaching a plateau. The problem is we have reached
our goals and without setting new goals. We stop
generating variants of our actions because we did not
know we were generating them in the first place. The
myth of repetition's miraculous improvement properties
distorts our thinking. We are sure it will work and are
disturbed when when it does not.
Purposeful practice.
In his
book
"Peak" Anders Ericsson suggests a number of
characteristics of what he calls purposeful practice and
these characteristics force practice out of its
repetitious mode. They enable practice to be the
creation of variants and the assessment of those
variants.
Firstly he says: "Purposeful
practice
has well defined, specific goals." Ericsson
explains that what he means by specific goals is how small goals build
into larger goals. Ericson puts like this: "Purposeful
practice is all about putting a bunch of baby steps
together to reach a longer term goal. ...Break it down
and make a plan. ...The key thing is to take that
general goal - get better - and turn it into something
specific that you can work on with realistic
expectation of improvement."
What
Ericson
does not say but implies is that these goals also need
to be unfinalized or unfinished. For instance, he points
out that the goal for remembering digits was simply to
remember one more digit each time through. This is
unfinished in that the moment that goal is reached it is
instantly transformed into the next one more. He also
implies that goals can be stacked one inside another.
You can have an immediate goal, within a weekly goal,
within a yearly goal, within a long term goal. In this
way as soon as one goal is reached another takes its
place and you are never left without a goal. These
unfinished goals not only continually encourage the
formation or creation of variants of actions, and thus
continual improvement in those actions, but they also
prevent those actions being finalized into fixed habits.
Secondly he says: "Purposeful
practice
is focused." If you are going to be able to
assess or judge if the the action you just performed is
better or worse than its previous iteration you need to
be fully focused on that performance. You have to attend
to as many aspects of the performance as you can and be
processing as much sensory feedback data as is possible
about that performance. This focus also has the added
benefit of making the learner aware of his/her
improvement and in this way is generating intrinsic
motivation that helps the learner to maintain
persistence in the face of alternative pleasures that
could distract from practice.
Thirdly he says:
"Purposeful
practice
involves feedback." "You
have to know whether you are doing something right
and, if not how you're going wrong." There are
only three paces you can get feedback from. One is from
our own internal discriminating abilities (which has to
be learned). Another is the feedback you can get from
machines. Finally the other feedback is what you
get from other people. Some types of practice have built
in feedback like the right or wrong attached to the end
of spelling words or remembering digits. But other
actions are less easy to assess as an action may be
wrong in one circumstance and right in another and you
have to determine its correctness yourself. However as
Ericson explains: "Generally
speaking,
no matter what you are trying to do, you need feedback
to identify exactly and how you are falling short.
Without feedback - either from yourself or from
outside observers - you cannot figure out what you
need to do to improve on or how close you are to
achieving your goals."
Fourthly he says:
"Purposeful
practice
requires getting out of one's comfort zone."
This is perhaps the most important characteristic of
purposeful practice. Doing nothing is comfortable, but
once you have developed actions, that have a high
quality of expertise, it is comfortable to just perform
them the same way over and over again. Of course that
means the action sinks into the unconscious and becomes
a habit preventing any further improvement. The thing
is, creating variants of our actions and assessing them,
is painful hard work. To do it we must get out of our
comfort zone. You must do the hard work.
Plateaus
can
become cliffs to fall from. When fixed
habits form and Improvement seems to stop after a while
even though a learner is still trying to create variant
actions. This is because our brains are wired to create
habits. We may think we are producing new action
variants but it can end up with learners just
reproducing the habit action. Then the more the learner
tries to create a variant action the more he/she ends up
reinforcing the habit. The way around this is to try to
do something different. Take a break from the action or
find a new approach to creating variant actions. This
creates a new variant and breaks the cycle. Plateaus are
also connected to choking because we tend to worry when
we can't seem to improve.
Choking,
the tragedy of trying not to
try. Choking occurs when we start to worry for
some reason about what we are doing with automated
actions. We can panic and start thinking while we are
performing the action. The thinking can slow down the
action or even interrupt the flow of the action causing
it to falter or come out in a variant form that is worse
than that which we wanted and expected. This makes us
panic more and think more causing further deterioration
in the action. It can become a self defeating spiral of
anti learning. Ericson in his book gives the following
advice for getting around these sorts of barriers:
"Generally
the
solution is not to 'try harder' but rather try
differently. It is a technique issue in other words...
The best way to get past any barrier is to come at it
from a different direction..."
Deliberate practice.
In his
book
"Peak" Anders Ericsson suggests deliberate
practice requires the same characteristics as purposeful
practice with a few additions.
Goals.
He Says: "Deliberate
practice... often involves improving some aspect of
the target performance; it is not aimed at some vague
overall improvement, Once an overall goal is set, a
teacher or coach will develop a plan for making a
series of small changes that will add up to the
desired larger change."
Focus. He Says: "Deliberate
practice is deliberate, that is to say it involves a
person's full attention and conscious actions. It
isn't enough to simply follow the a teacher's or
coach's directions. The student must concentrate on
the specific goal for his or her practice activity so
that adjustments can be made to control practice."
Feedback. He Says: "Deliberate
practice involves... modification of effort in
response to... feedback. Early in the training process
much of the feedback will come from the teacher or
coach, who will monitor progress, point out problems
and offer ways to address those problems. With time
and experience students must learn to monitor
themselves, spot mistakes, and adjust accordingly.
Such self-monitoring requires effective mental
representations."
Discomfort. He Says: "Deliberate
practice... requires a student to try things just
beyond his or her current abilities. Thus it demands a
near maximal effort, which is generally not
enjoyable."
Mental
representations. He says: "Deliberate
practice
both produces and depends of effective mental
representations... Mental representations make it
possible to monitor how one is doing, both in practice
and in actual performance. They show the right way to
do something and allow one to notice when doing
something wrong and to correct it."
Foundations.
He says: "Because of
the way that new skills build on top of existing
skills, it is important for teachers to provide
beginners with the correct fundamental skills in order
to minimize the chances that the student will have to
relearn those fundamentals skills when at a more
advanced level."
In his
book
"Peak" Anders Ericsson also suggests that in
addition to the above, and more importantly, deliberate
practice requires a well developed pool of
knowledge and a highly trained and skilled teacher
or coach to pass on that pool of knowledge:
He says: "First,
it requires a field that is already fairly well
developed -
that is, a field in which the best performers have
attained a level of performance that clearly sets them
apart from people who have just entered the field.
We're referring to activities like musical performance
(obviously) ballet and other sorts of dance, chess,
and many individual and team sports in which athletes
are scored for their individual performance, such as
gymnastics, figure skating, or diving." "Deliberate
practice develops skills that other people have
already figured out how to do and for which effective
training techniques have been established."
He says: "Second, deliberate
practice requires a teacher who can provide
feedback and practice activities designed
to help a student improve his or her performance.
Of course, before there can be such teachers there
must be individuals who have achieved a certain level
of performance with practice methods that can be
passed on to others." "The practice regime should be
designed and overseen by a teacher or coach who is
familiar with the abilities of expert performers and
with how those abilities can best be developed."
Without a
teacher students are basically reinventing the wheel. Of
course it is possible to train without a guide or coach,
but it is a long laborious route. The trouble is without
a guide to the pool of knowledge that has been developed
by numerous masters over many years the student only has
what he/she has seen others do, and his/her ability to
self monitor to enable progress. The student will
therefor try many many action variants that do not work.
This is a long arduous toil of solving problems, most of which,
will have been solved already, and creating action variants
that have already been crafted in a better form by true
masters of the field.
With a
highly skilled teacher these unnecessary variant actions
may never be tried at all, and those that are tried are
quickly corrected by the teacher's sharp eye and
skillful instant feedback. A good teacher will see what
a student is doing wrong and provide exercises
specifically designed to correct such missteps.
Indeed a master class teacher can design exercises
specifically for a specific student. Such teachers have
at their fingertips a vast reservoir of secrets handed
down by all the great masters of the field, a
concentrated heritage of skill. This heritage is a short
cut to mastery. It enables students to become skilled
faster, and become expert where they might never reach
expertise at all. Without a teacher a student can still
tap into that reservoir of knowledge in the form of
books, videos, and demonstrations on you tube. But such
feed back, as that provides, will never be as good as
the feedback of a skillful teacher, who can see critical
flaws in a student's actions that the student might
never see.
The important
thing about a highly skilled teacher is that such a
teacher is in high demand and his/her time is highly
valuable. It is then up to the student to make the best
use of the time the teacher is available to the student
on a one to one basis. Ideally a student might like such
a teacher to spend all his/her time on one to one
instruction with the student. But this is unlikely to be
possible.
In his
book
"Peak" Anders Ericsson discusses superior student
musicians studying violin at the Berlin Academy as
follows :
"Because
most
students spend the same amount of time each week with
the music teacher - an hour - the primary difference
in practice from one student to the next lies in how
much time the students devote to solitary practice.
Among serious students - such as the ones who ended up
in the Berlin academy - its not unusual for ten and
eleven-year-olds to be spending fifteen hours a week
on focused practice, during which time they are
following lessons designed by their teachers to
develop specific techniques. And as they get older,
the serious students generally increase their amount
of weekly practice."
With a
highly skilled teacher each student's one to one
interactions were restricted to only about an hour a
week. The teacher would assess their progress at these
once a week sessions, give detailed feedback about
their weaknesses, and give them specific exercises
designed to correct those weaknesses. Each student
tackled these exercises in isolated solo practice. This
solo practice was deliberate practice even though the
skilled teacher was not available to give feedback,
because the students had already developed accurate
mental representations that developed each time the
teacher gave feedback. These mental representations
served the students sufficiently to enable them to judge
whether each exercise was bringing them closer to what
was required or not. It also enabled them to determine
whether each new iteration of each action was an
improvement or not. With effort, by the time they
returned to the teacher for more feedback, they had
already fixed the previous problems and could move on to
fixing other problems.
In skill
fields that are not as well developed as music it is
still possible for students to do deliberate practice.
If no teachers exist it may be possible to create
teachers by selecting the top performers in the field
and asking them to be teachers. This is exactly what
they did with the top gun program for navy pilots in the
USA. If that is not possible the student can still learn
a lot by watching closely the actions or work of top
performers in a field and trying to duplicate them. On
top of that students can seek criticism from others who
are learning and performing in the same field especially
experts when they are available. Performing for anyone
where they give feedback can be useful. Comedians, for
instance, often hone their craft by working in little
known places trying out new material and seeing what
works to make the audiences laugh.
Are there limits to what can be accomplished
with practice?
From what
has been uncovered about practice so far it seems there
are no limits to what can be accomplished by means of
practice. We have been improving in every form of sport
or other competitive activity since we acquired the
ability to record performances. The marathon is being
performed today 30% faster than in 1908 Olympics. In the
same 1908 Olympics the double somersault was banned as
being too dangerous while today it is an entry level
dive. In the 1930's Alfred Cortot's musical
performances were considered the best in the world.
Today those same performances are offered as examples of
how not to play. As Ericsson says:
"One
way
to think about this is simply as a reflection of the
fact that, to date we have found no limitations to the
improvements that can be made with particular types of
practice. As training techniques are improved and new
heights of achievement are discovered, people in every
area of human endeavor are constantly finding ways to
get better, to raise the bar on what what was thought
to be possible, and there is no sign that this will
stop. The horizons of human potential are expanding
with each new generation."
The further reaches of skill.
Without
limits skills will improve with each successive
generation. The iterative process through which this can
take place has been examined and speculated upon on
three other pages of this site. For more information
about this click here for
information on the page iteration,
here for information on the page skillcoaching and
here for information on the page
blink.
The 10,000 hour rule and what Gladwell was
right about.
Although
Ericsson believes that Malcolm Gladwell misquoted his
research by simplifying it down to a rule that was
applicable to all forms of expertise, he does admit
that Gladwell got something right. He says:
"Gladwell
did
get one thing right, and that is worth repeating
because it's crucial: becoming accomplished in any
field in which there is a well-established history
of people working to become experts requires a
tremendous amount of effort exerted over many years.
It may not require exactly ten thousand hours, but
it will take a lot...
Gladwell's ten thousand hour rule captures this
fundamental truth - that in many areas of human
endeavor it takes many many years of practice to
become one of the best in the world - in a forceful,
memorable way, and that's a good thing.
On
the
other hand, emphasizing what it takes to become one of
the best in such competitive fields as music chess, or
academic research, leads us to overlook what I believe
is a more important lesson... While some might take
this as a challenge... many will see it as a stop
sign. Why should I even try if its going to take me
ten thousand hours to get really good? As Dogbert
observed...
But
I
see the core message as something else altogether: In
pretty much any area of human endeavor, people have a
tremendous capacity to improve their performance, as
long as they train in the right way. If you practice
something for a few hundred hours, you will almost
certainly see great improvement... but you have only
scratched the surface. You can keep going, getting
better and better. How much you improve is up to you."
Where
to
go once you have become an expert. Be creative.
In many
fields where people become expert there is a built in
ultimate goal where knowledge and skill turns into
creativity. The expert ballet dancer can make use of
his/her years of arduous training to become a
choreographer and produce works of art. The expert
scientist can use his/her hard won skills and knowledge
to make break-throughs in his/her field. The expert
musician can make use of his/her painfully acquired
skills and knowledge to become a composer.
But in any
field which is highly developed in which experts absorb
a large body of skill there is another way in which they
can have an ultimate goal of being creative. Eventually
the expert will run out effective training techniques to
learn. While this body of knowledge is large, it is
possible to learn it all. When this body of knowledge is
completely absorbed, the thought processes of those past
experts who figured out those effective training
techniques become more transparent. Somebody has to
build on these techniques and create new techniques that
can further expand these bodies of knowledge. The expert
who has run out of training techniques to learn can
simply invent his/her own.
The
lessons
of expertise for teachers.
Expertise
has much to teach us about teaching and how it can be
improved.
At the end of his book
"Peak" Anders Ericsson points out the following:
"...it has always been surprising to me when I
talk to full time athletes and their coaches how many of
them have never taken the time to identify those aspects
of performance that they would like to improve and then
design training methods aimed specifically at those
things. In reality much of the training that athletes do
is - especially athletes in team sports - is carried out
in groups with no attempt to figure out what each
individual should be focusing on.
Furthermore
very
little has been done to learn about the mental
representations that successful athletes use. The
ideal approach to fixing this would be to have
athletes verbally report their thinking while they are [training]
performing, which would make it possible for
researchers, coaches and perhaps even the athletes
themselves to design training tasks to improve their
representations of the game situations..."
The
acquiring
of skills is acquiring of knowledge in a superior
form.
While it
would be nice if all sports could develop a body of
effective training techniques, Ericson is more concerned
about how this knowledge, about how expertise works,
might be brought to bear on how teaching in general
might be improved to enable students to acquire
knowledge more effectively. He points out that the
difference between ordinary learning (the acquiring of
knowledge) and becoming expert has to do with the
emphasis expertise gives to skills. He believes that
acquiring skills inadvertently enables the acquiring of
knowledge and in a superior manner. He explains:
"If
you
teach a student facts, concepts, and rules those
things go into long-term memory as individual pieces,
and if a student then wishes to do something with them
- use them to solve a problem, reason with them to
answer a question, or organize and analyze them to
come up with a theme or a hypothesis - the limitations
of attention and short-term memory kick in. The
student must keep all these different, unconnected
pieces in mind while working them toward a solution.
However, if this information is assimilated as part of
building mental representations aimed at doing
something, the individual pieces become part of an
interconnected pattern that provides context and
meaning to the information, making it easier to deal
with. ...you don't build mental representations by
thinking about something; you build them by trying to
do something; you build them by trying to do
something, failing, revising and trying again, over
and over. [A process of iteration.] When
you're done, not only have you developed an effective
mental representation for the skill you were
developing, but you have also absorbed a great deal of
information connected with that skill."
The fact
is, all knowledge has a practical side where the
knowledge is used to do something, and any student is
expected to know how to do those things after just
assimilating the knowledge. The idea of learning by
trying to do those things, trying and revising
(practicing) is a bit foreign to normal
pedagogy. Nevertheless such practice might bring
better recall and better understanding to the practice
of teaching. Ericsson explains:
"...imagine what might be possible with the
efforts that are inspired and directed by a clear
scientific understanding of the best ways to build
expertise. And imagine what might be possible if we
applied the techniques that have proved so effective in
sports and music and chess to all the different types of
learning that people do, from the education of
schoolchildren to the training of doctors, engineers,
pilots, businesspeople, and workers of every sort. I
believe that the dramatic improvements we have seen in
those few fields over the past hundred years are
achievable in pretty much every field if we apply the
lessons that can be learned from studying the principles
of effective practice."
Ericson
goes on to discuss the teaching experiment conduced by
Wieman and his colleagues:
"The
first
thing that Wieman and his colleagues did in designing
the class was to speak to traditional instructors to
determine exactly what the students should be able to
do once they finished the section. ...When preparing a
lesson plan, determining what a student should be able
to do is far more effective than than determining what
the student should know. It turns out that the knowing
part comes along for the ride.
Once
Wieman
and his colleagues had put together a list of what
things their students should be able to do, they
transformed them into a collection of specific
learning objectives. Again this is a classic
deliberate practice approach: when teaching a skill,
break down the lesson into a series of steps that the
student can master one at a time, building from one to
the next to reach the ultimate objective. While this
sounds very like the scaffolding approach used in
traditional education it differs crucially in its
focus on understanding the necessary mental
representations at each step of the way and making
sure that the student has developed the appropriate
representations before moving to the next step.
To
help
the physics students in their class to develop...
mental representations, Wieman and his coworkers
developed sets of clicker questions and learning tasks
that would help them reach the learning objectives the
instructors had previously identified. The clicker
questions and tasks were chosen to trigger discussions
that would lead the students to grapple with and apply
the concepts they were learning and ultimately use
those concepts to answer the questions and solve the
tasks.
Finally
the
classes were structured so that the students
would have the opportunity to deal with various
concepts over and over again, getting feedback that
identified their mistakes and showed how to correct
them. Some of the
feedback came from fellow students in the discussion
groups and some from the instructors, but the
important thing was that the students were getting
immediate responses that told them when they were
doing something wrong and how to fix it."
Each step
is a specific activity the student needs to be able to
do. Each is tackled in an iterative process where the
student tries, determines the improvement or where the
activity is flawed, and revises (creates variants of the
activity until until determining he/she has performed it
correctly). Basically the ordinary acquiring of
knowledge has been turned into one of deliberate
practice.
Why should we become experts?
Why should we
become experts? It may seem obvious that the world would
be a better place with more experts and that it is
experts and their knowledge that solve the world's
problems and keep the world on the right path. But
expertise will not accomplish these things by itself. To
create successful, creative people who can work together
for the greater good we need not only people who are
experts, but people who who also have many other skills
and qualities that are not expert, but simply good
enough. We need experts that can use their expertise in
the world to make it a better place. We need people to
choose to become experts and not be forced or
manipulated to become expert. We should become experts
because we are intrinsically motivated to do so. Experts
fashioned by others through external pressure become
unbalanced people of little use to themselves or others.
Tiger mothers want their kids to be
experts so badly, they are willing to force them be
expert.
Sure, we now
know how to create experts, but should we make them just
because we can? If it means creating people with expert
knowledge that can not function properly in society, the
answer is no. Parents are imbued with a fierce desire to
protect their children, but his desire to protect can
become through fear an aberration, one so oppressive as
to hold their children back from learning life's most
essential lessons. We call parents in the grip of this
aberration stage mothers, helicopter parents and tiger
mothers. Tiger mothers want their children to be
successful and therefor to become experts in many fields
of study. To this end they schedule their children with
hours and hours of extra curricula practice in those
fields of study. They manipulate and force their
children to become expert.
Tiger mothers,
by making all the choices for their children, stop their
children learning how to make choices themselves. By
making all the decisions for their children, they
prevent their children learning how to make decisions.
By cleaning up their children's messes, they prevent
their children learning how to clean up after
themselves, and take responsibility for their actions.
By smoothing away the obstacles in their children's lives and overcoming
their children's challenges they deprive their children
of the joy and accomplishment of overcoming obstacles
and challenges themselves. By scheduling so many hours
of practice in many subject fields they deprive their
children of opportunities to interact with other
children and so learn interpersonal skills such as
communication and teamwork. But most importantly by
depriving their children of time to play they curtail
many skills and qualities that are essential for
life. Without play, creativity, curiosity, trust, self
control, empathy and knowing where to draw the line, can
disappear.
Expertise
must be chosen freely.
Expertise
is now something we know how to create. But it is
important to note that if it is not chosen freely
it can be it can become a millstone round a person's
neck crushing the human spirit out of them. Expertise
involves thousands of hours of hard work which though it
can to some extent be accomplished with extrinsic
motivation, it cannot be maintained. If children become
highly skilled in some subjects solely because of
external pressure, they'll most likely come to dislike
it even even if they become expert in the subject. In
her book "The Self-motivated Kids" Shimi Kang M.D.
explains it like this:
"I see this all the time in my practice and it
often it often happens around high school. Many of those
tiger cubs that were bolting out the gates and
destroying the competition as children start to plateau
and are often passed over by others who may have
experienced a more relaxed dolphin approach to to their
academic extracurricular activities. Some don't care
that they are falling behind, and are even thankful,
because they are burnt out. Others can't handle being
less than the 'best' and fall apart instead of trying
harder because they're as fragile as a teacup."
Unbalanced
individuals
and society.
Even as
expertise begins to form through extrinsic motivation
the locus of identity moves outside the self with
a result that is often so unstable that the
children so motivated tend to crash and burn, even
turning to alcohol and drugs in order to escape their
situation. Parents that push children to become
expert, waste their lives on fruitless and thankless
effort. Their children in turn become unbalanced
individuals who are able to make little use of any
expertise they might attain.
Of course
parents, teachers and those in society's power want
people to become expert so that those children and
students can be successful and excel and so that society
can be healthy and function efficiently. This
unfortunately leads parents teachers and those in power
to the erroneous conclusion that they can shape children
and students into all becoming experts. This is a
serious mistake. It even produces the opposite of what
they want. It produces children and students that fail
and often never recover and a society that is
inefficient and sickly.
Most
experts are likely to remain life long learners and how
all learners could glimpse this.
Experts
who do not love the subjects they are expert in are not
likely to remain life long learners. They are not self
motivated. When the pressure to continue learning from parents,
teachers and society eases after leaving school so
does their desire to continue learning. However most
experts are intrinsically motivated.
Experts
who are intrinsically motivated, are people who have
already spent a good part of their lives devoted to
learning. They enjoy learning and their intrinsic
motivation keeps them learning. The only way they will
be tempted to stop is, if for some reason the skill they
have developed becomes unusable for some reason, or they
become incapacitated in their ability to perform that
skill. Obviously a severe sports injury can put an end
to a career in a sport. A violinist who has broken or
lost a hand would be struggling to continue. An editor
who looses his/her sight would be struggling. The
trouble with becoming an expert in some field is that
all the skills they learn are very specific to their
field. However
despite these problems intrinsically motivated experts
enjoy learning and improving in their expertise and so
are likely to be and continue to be life long learners.
However,
experts have learned one thing that most non experts
will never learn, and that is that it is possible for
them to become an expert. They have already become an
expert once so there is no reason for them to suspect
that they could not do it again. Many experts have been
known to make this transition despite horrific injuries.
Also an expert's life so far has been one of every day
practice, probably at the same time every day. They have
the habit of practicing. They have the habit of
learning. They are cued to go and practice and to learn
at the same time every day. Breaking that habit would be
very difficult even for somebody with a severe injury.
Also,
although skills themselves do not generalize to other
fields, and are specific only to one field, one part of
skill building is somewhat transferable. Ericsson
explains it as follows:
"Having
students
create mental representations in one area helps them
understand exactly what it takes to be successful not
only in that field but in others as well. Most people,
even adults, have never attained a level of
performance in any field that is sufficient to show
them the true power of mental representations to plan,
execute, and evaluate their performance in the way
expert performers do. ...Once they do understand what
is necessary to get there in one area, they
understand, at least in principle, what it takes in
other areas.
...Our
schools
should give all students such an experience in some
domain. Only then will they understand what is
possible and also what it takes to make it happen."
Yes,
schools could provide such an experience for all
students. But schools should do it only if they can do
so by means of enabling the formation of intrinsic
motivation in each student, and thus awaken the
student's desire for such an experience. Without
promoting this internal drive such an experience would
have little use.
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